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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    Fragmentos de textos e imagens catadas nesta tela, capturadas desta web, varridas de jornais, revistas, livros, sons, filtradas pelos olhos e ouvidos e escorrendo pelos dedos para serem derramadas sobre as teclas... e viverem eterna e instanta neamente num logradouro digital. Desagua douro de pensa mentos.


    quarta-feira, agosto 13, 2025

    The AOC deepfake was terrible. The proposed solution is delusional.

     

     A glitchy, pixelated photograph of Alexandra Ocasio-Cortez.

    "Caught on camera keying the neighbor’s car? Just claim it was a deepfake. Or produce your own deepfake, showing someone else in the act. Hey, it’s your word against theirs. Or maybe it really was a deepfake. How do you disprove it?

    Just as bad however as a situation in which all sources, no matter how dubious, lay equal claim to truth is one in which only one source claims that privilege. I fear a future in which the government deploys even more and more kinds of surveillance devices and enumerates rules of chain-of-custody and provenance that ensure their videos and claims will be accepted in courts. Only theirs, of course. For our own good."

     read more>  

    The AOC deepfake was terrible. The proposed solution is delusional.

    En El Cielo No Hay Cerveza - Flaco Jimenez (in memoriam)



    En el cielo no hay cerveza que beberPor eso ando tomando noche y díaPorque ya cuando se me llegue el díaEn el mundo seguirá la ferrusquilla


     

    Adultização é muito mais do que erotização de crianças

     Um homem com cabelo longo e liso, usando um moletom preto, está sentado em um ambiente interno. Ele tem as mãos unidas na frente do corpo e está olhando diretamente para a câmera. O fundo é composto por painéis de madeira dispostos verticalmente, criando um padrão listrado.

    JOANNA MOURA

     Na última semana, um vídeo de quase 50 minutos dominou a pauta na internet. Produzido pelo youtuber Felca, o material intitulado "Adultização" expõe como vídeos inocentes publicados na internet são capturados por redes de pedófilos. E, para além disso, como pais e outros responsáveis, percebendo o potencial de monetização dessas publicações, passam a produzir conteúdos intencionalmente maliciosos ou explícitos de crianças e adolescentes.

    O vídeo é tão indigesto quanto necessário. Rever a maneira como crianças são expostas em ambientes digitais é, como o próprio Felca afirma, para ontem. E o vídeo cumpre o papel importantíssimo de jogar luz sobre como atuam os predadores nas redes sociais e chama para a responsabilidade não só as autoridades como também as próprias plataformas (Meta, TikTok, Youtube etc), cujos algoritmos facilitam a atuação dos pedófilos, a classe política e, em última análise, os pais que publicam conteúdos sem nem sequer imaginar onde e como serão utilizados.

    E já podemos ver a sociedade se movimentando no sentido de encontrar soluções. Só nesta semana, ao menos 32 projetos de lei foram apresentados por parlamentares com diferentes propostas para combater a "adultização infantil".

    Tudo muito bom, tudo muito necessário. Porém, se você me permite tecer uma só crítica ao vídeo de Felca, eu diria que o título não corresponde ao conteúdo mostrado. "Sexualização" ou "Erotização" talvez fosse mais adequado tendo em vista os casos narrados. Mas meu problema com o título não é apenas semântico. Reduzir o significado de "adultização" a sexualização é como iniciar o tratamento de um câncer apenas em seu estágio mais avançado.

    A erotização das crianças é de fato o estágio mais grave de uma doença que começa muito antes, silenciosamente, com o consentimento de pais, mães, tios, tias, escolas, programas de televisão.

    As sementes da adultização são diariamente normalizadas, incentivadas. O encorajamento da vaidade em meninas, a valorização da beleza delas, o incentivo ao autocuidado na forma de unha bem-feita, pele hidratada, cabelo escovado. A valorização do ter, do consumo, do dinheiro, da produtividade, a exposição a conteúdos cujo único objetivo é vender. As risadinhas a cada sugestão de que o fulano é namoradinho da fulana, a cobrança dos adolescentes para conquistar garotas. São os comportamentos que introjetamos como "normais", mas que formam a base dessa pirâmide cujo ápice é o vídeo que dominou as redes.

    Sim, a gente precisa urgentemente rever a presença de crianças e adolescentes nas redes. Mas tão urgente quanto é entendermos que adultização é tudo o que insere elementos do universo adulto —consumismo, padrões estéticos, produtividade, sexualidade— na vida de crianças e adolescentes.

    Minha maior preocupação com o vídeo do Felca é que pais e mães terminem os 50 minutos achando que a solução passa apenas por prenderem o influenciador X, Y ou Z. E assim se isentem de qualquer responsabilidade sobre o encurtamento da infância de suas crianças. Acabar com a adultização e proteger a infância é dever de toda a sociedade.

    FOLHA  

     

     

    Digital resurrection: fascination and fear over the rise of the deathbot

     

     


    "Ozzy Osbourne appeared as an AI-generated image at a recent Rod Stewart concert, prompting questions about how the ghoulish phenomenon will affect grieving"

     read more> 

    Digital resurrection: fascination and fear over the rise of the deathbot | Death and dying | The Guardian

    terça-feira, agosto 12, 2025

    NEBLINA | FOG


     

    Casal sem vergonha - Arlindo Cruz & Sandra de Sá



    A minha vidaA minha vida é um mar de rosa em tua companhiaBrigamos mil vezes ao diaMas depois das brigas retorna a harmoniaÀs vezes ela é dengosa, às vezes é bicho de peçonha

    segunda-feira, agosto 11, 2025

    Aretha Franklin - with Eric Clapton - Good To Me As I Am To You - 1967


    If you had a dollar, and I had a dimeI wonder, could I borrow yours as easy as you could mine?Because when you need my love, and I give time after timeAnd turn around to find me no returns, then, my friend, you've used my dimes!

    domingo, agosto 10, 2025

    As the world hurtles ever closer to nuclear oblivion, where is the opposition?

    "It might have been very different. In June 1945, a group of University of Chicago nuclear physicists led by James Franck told President Harry Truman that an unannounced atomic bomb attack on Japan was “inadvisable”. Detonating the new weapon would trigger an uncontrollable worldwide arms race, they predicted. Their warnings were rejected, their report suppressed. Now, the UN is trying again."

    READ COLUMN BY SIMON TISDALL 

    As the world hurtles ever closer to nuclear oblivion, where is the opposition? | Simon Tisdall | The Guardian

    My years reporting on Gaza broke me down. Why did it take so long for the world to become outraged?

     ' I reported on forced displacement and punitive bureaucracy (Israel’s occupation is expanded through denied permits, home demolitions and revoked ID cards). I wrote about child killings, war crimes and terrorism (perpetrated by both sides). I tried to explain as best I could the annexation of the West Bank and the collective punishment of two million people in Gaza without using forbidden phrases such as apartheid or war crime. I included the necessary balance of voices and opinions. But still, every report of an atrocity in Palestine was met with highly personal accusations of bias. Editors were often twitchy, readers disengaged.

    After two years of this, a grim reality became clear: people did not want to hear about it. By year three, I had started giving up trying to make them listen and the self-loathing arrived. Cynicism among reporters is a useful cipher for the fear, desperation and impotence that news industry norms do not allow them, but it has a dangerous side-effect: it dulls outrage. Without outrage, crimes such as apartheid, ethnic cleansing and genocide can continue uninterrupted – and they have."

    "A friend working in television news told me a new verb had emerged: to Gaza a story, meaning to downgrade its editorial importance.


    READ MORE>
    https://www.theguardian.com/world/ng-interactive/2025/aug/10/gaza-israel-palestine-outrage
     

    My years reporting on Gaza broke me down. Why did it take so long for the world to become outraged? | Israel-Gaza war | The Guardian

    Zeca Pagodinho & Jovelina Pérola Negra - Bagaço da Laranja (Arlindo Cruz e Zeca Pagodinho)



    Sobrou pra mimO bagaço da laranja

    IN MEMORIAM ARLINDO CRUZ 

    South Park’ Finds New Relevance Skewering the Trump Era

     

    After the White House attacked the season premiere for lampooning the president, some of the Trump allies who were mocked in the second episode tried to show they could take a joke.

    A screenshot from “South Park” shows a masked Mr. Mackey standing next to a white-suited President Trump in front of a golf cart.
    “South Park” is commanding attention again with its tart satire of the second Trump administration.Credit...Comedy Central

    When the new season of “South Park” premiered last month with a scene showing President Trump in bed with Satan discussing Jeffrey Epstein, the White House attacked the series as a “fourth-rate show” and said that it “hasn’t been relevant for over 20 years.”

    But the episode drew strong ratings, and when the series returned on Wednesday night some of the Trump administration officials and allies who were skewered — including Vice President JD Vance — took a different tack, and tried to show they could take a joke.

    “Well, I’ve finally made it,” Mr. Vance wrote on social media as he reposted a scene from the show that imagined Mar-a-Lago as “Fantasy Island” and the vice president as Tattoo, the short sidekick who was played in the original series by the actor Hervé Villechaize.

    Not all of the officials who were roasted laughed it off. Kristi Noem, the Homeland Security secretary, was portrayed in the episode as a serial dog shooter who was obsessed with her appearance. (The real Ms. Noem wrote in her memoir about shooting her dog.)

    Speaking on the “The Glenn Beck Program” on Thursday, Noem said it was “lazy” to make fun of women for how they look. “Only the liberals and the extremists do that,” she said. “If they wanted to criticize my job, go ahead and do that. But clearly they can’t. They just pick something petty like that.”

    In the episode, “Got a Nut,” Mr. Mackey, a school counselor, loses his job because of budget cuts and takes a position with Immigration and Customs Enforcement. He accompanies ICE on raids of a “Dora the Explorer Live!” show and of heaven, where he is told to round up only brown angels.

    “South Park,” which has routinely roasted political figures with satire and dark comedy since its debut in 1997, has regained momentum as its tart observations of the second Trump administration are commanding attention and breaking through online.

    Before the episode aired, the Department of Homeland Security’s account on X shared a screenshot from a “South Park” trailer showing masked ICE agents — and added a link to its recruitment website.

    The “South Park” social media account responded, “Wait, so we ARE relevant?” and added a ribald hashtag.

    The second episode also briefly portrays Charlie Kirk, the founder and chief of the pro-Trump, youth-focused Turning Point USA. The real Mr. Kirk embraced the parody and approvingly shared several clips on his social media accounts, including a segment where Cartman fiercely debates “woke liberal students.”

    “Not bad, Cartman,” he wrote on X, where he changed his avatar to an image of Cartman sporting a Kirk-like haircut.

    THE NEW YORK TIMES  


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