This site will look much better in a browser that supports web standards, but it is accessible to any browser or Internet device.



blog0news


  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

  • Vislumbres

    Assinar
    Postagens [Atom]

    Powered by Blogger

    Fragmentos de textos e imagens catadas nesta tela, capturadas desta web, varridas de jornais, revistas, livros, sons, filtradas pelos olhos e ouvidos e escorrendo pelos dedos para serem derramadas sobre as teclas... e viverem eterna e instanta neamente num logradouro digital. Desagua douro de pensa mentos.


    sexta-feira, julho 05, 2024

    Big Mama Thornton - Summertime



    One of these morningsYou gonna rise up singin'
    Yes, you'll spread your wingsAnd you'll take to the sky
    Mm, but 'til that morningThere is nothin' can harm youYes, with daddy and mommy standin' by

    Robert Towne, Screenwriter of ‘Chinatown’ and More, Dies at 89

     

     A black-and-white close-up of Robert Towne. He has long gray hair and a beard and is wearing glasses.

     "“The characters I write about are men who control events far, far less than events control them. My characters get caught, they try even though they don’t prevail or even significantly influence events. These guys muddle through.”

    But he continued to maintain that the muddling was worth the effort. In a 1991 essay for Esquire, he explained why movies were his medium of choice.

    “There are no novels or plays I’m itching to write and there never have been,” he wrote. “I love movies. I think movies best communicate whatever I have to say and show; or to put it another way, when what you want to show is wat you have to say, you are pretty much stuck with movies as a way of saying it.”"

    READ OBIT BY BILL MORRIS

     

    Someone Needs to Take Biden’s Keys

     


     

    My grandfather was a mortal threat behind the wheel of his Oldsmobile. In imperfect anticipation of yellow lights, he would stop unexpectedly at intersections. He drove 30 miles an hour on the freeway. One day his vision occluded, and he couldn’t see clearly into the distance. Yet he would still occasionally grab the keys, put my grandmother and her clutch of coupons in the passenger seat, and head to the grocery store. We failed to take the keys away at the opportune moment, and then struggled when the risks he posed were unquestionably worse. That’s the nature of families confronting the mortality of a loved one.

    The group around President Joe Biden is familial to the core. The newbies in his inner circle have worked for him for 20 years; the veterans have been around since the early ’80s. To his closest advisers, Joe Biden is a figure frozen in time, still the domineering patriarch who dispenses love and throws tantrums. They crave his affection, they navigate his anger, they calibrate their arguments to appeal to his predilections. In the structure that Biden has erected around himself in the White House, he is his own top adviser.

    Watching a parent age is inherently difficult. Nobody wants to believe that the most important figure in their life is approaching the end. It’s even harder for staffers whose entire identity is wrapped up in their association with the career of one political figure. To admit his end is to provoke a crisis in their own professional life. If I’m not whispering in Biden’s ear, then what am I?

    Aging is nonlinear, which makes it difficult to track. Biden, as anyone who watches cable news knows, has good days and bad days. At moments, he resembles his old self, bristling with feisty energy. Those are the wishful data points that become the basis for comforting stories about how he always pulls through in the end.

    And aging accelerates in reaction to events. Campaigns, even one lightly prosecuted, are famously hell on the body. The stress of managing multiple wars turns even youthful aides into sad middle-aged specimens. A child of the Cold War, Joe Biden is consumed with worry about possible nuclear war, not a relaxing thought to have constantly coursing through one’s brain. Biden is a different human being than he was a year ago, because the presidency is the opposite of a hyperbaric chamber.

    That makes the failure of the Democratic establishment to take the age question more seriously harder to understand, because the notion of having an 86-year-old president has always defied understanding.

    When I talk with aides on the inside, they never question Biden’s governing capacity. Perhaps this is their own wishful thinking. Perhaps they are better able to see how the benefits of experience overwhelm his inability to recall a name. But it’s also the product of a delusion among the Democratic elite about what constitutes effective leadership. Governing competently is different from campaigning competently. The ability to think strategically about China, or to negotiate a complicated piece of bipartisan legislation, is not the limit of politics. It’s not enough to deliver technocratic accomplishments or to prudently manage a chaotic global scene—a politician must also connect with the voters, and convince them that they’re in good hands. And the Biden presidency has always required explaining away the fact that the public wasn’t buying what he was selling, even when the goods seemed particularly attractive.

    So here we are, at a very late hour, when changing the nominee would be hard for Democrats, but remains a plausible option. But if there are problems with the Democratic establishment, at least it’s still an establishment, with the capacity to impose its will. And based on every despairing text that I received last night, even from senior members of the administration, many of whom self-medicated their way through the debate with booze, that will is now abundant. (Take it away, Barack Obama, Hillary Clinton, Hakeem Jeffries, Chuck Schumer.)

    A courageous politician can seize the first-mover advantage and make the argument that was plain to all viewers last night. Biden aides have always disparaged Kamala Harris sotto voce, undermining the very notion of her potential candidacy. But if she’s not the right candidate to step forward, then it’s imperative that another prominent Democrat immediately fill the void. The alternative is too horrible to contemplate.

    Article originally published atThe Atlantic

     

    quinta-feira, julho 04, 2024

    Procissão de São Pedro








     

    Barracão - Elizeth Cardoso, Jacob do Bandolim e Época de Ouro



    Vai, barracãoPendurado no morroE pedindo socorroÀ cidade a teus pés

    BLEU BLANC ????



    MIGUEL PAIVA
     
     

     
    THIAGO LUCAS
     

     
     
    CARVALL

     

    Marcadores: , , ,

    quarta-feira, julho 03, 2024

    Imunidadepara Trump



    FRAGA

     

    Marcadores: ,

    The World’s Next Big Drag Queen Is Brazilian

     A person sings on a stage, while musicians play in the background.

      "In addition to being home to a crew of breakout drag stars, Brazil has adopted some of the world’s most expansive gay rights. Gay couples can marry and adopt children; transgender people can legally choose their gender; homophobic slurs are a crime; and so-called conversion therapy, which seeks to make gay people straight, is banned.

    Yet for years Brazil has also ranked among the deadliest countries for gay and transgender people. Since 2008, more than 1,840 transgender people have been murdered in Brazil, more than double the next deadliest country, Mexico, according to tracking by Transgender Europe, an advocacy group. Brazil has led the rankings every year since tracking began.

    “We never know when it will be my friend, when it will be my family, when it will be me,” Pabllo Vittar said in an interview. “This is the biggest goal of my career: To make it so younger people don’t feel this fear when they go out.”

    Pabllo Vittar has emerged as one of Brazil’s loudest gay voices against a right-wing movement in the country, led by conservative Christian groups, that has made a heterosexual vision of gender, sex and marriage a central part of its political strategy."

     READ REPORT BY JACK NICAS

     

    On a journey through Germany, the horror of the past lurks close to the surface | Euro 2024 | The Guardian

     


     "Germany is an easy country to be in. The people are friendly. The bars and bakeries are lovely. The cities are a potent mix of cultures: Cologne baklava, the kebabs of Essen, the mind-bending schnitzel-overload of the Munich cafe scene, schnitzels the size of stingrays, schnitzels that will haunt you.

    Germany is warm and rich in detail. Germany is wealthy and comfortable. And of course, Germany is also, to me, terrifying.

    Sorry, Germany! But this is still the case. "


    read article by BARNEY RONAY

    On a journey through Germany, the horror of the past lurks close to the surface | Euro 2024 | The Guardian

    Dia do Progresso


     

    Marcadores: ,

    Bangkok Post - Biden"s lapses are said to be increasingly common and worrisome

     United States President Joe Biden during the CNN presidential debate with former President Donald Trump in Atlanta, on June 27, 2024. (Photo: New York Times)

    In the weeks and months before United States President Joe Biden’s politically devastating performance on the debate stage in Atlanta, several current and former officials and others who encountered him behind closed doors noticed that he increasingly appeared confused or listless or would lose the thread of conversations.

    Like many people his age, Biden, 81, has long experienced instances in which he mangled a sentence, forgot a name or mixed up a few facts, even though he could be sharp and engaged most of the time. But in interviews, people in the room with him more recently said that the lapses seemed to be growing more frequent, more pronounced and more worrisome."

    READ MORE>>  

    Bangkok Post - Biden"s lapses are said to be increasingly common and worrisome

    Recuaram!



    LAERTE

     

    Marcadores: ,

    Procissão de Sao Pedro




     

    Nao tem um remedinho homeopático?



    JOTA CAMELO

     

    Marcadores: ,

    The Ghastly vs. the Ghostly

     A portrait of Joe Biden looking stern.


    Passeando pelo Jardim | Hermeto Pascoal & Grupo | Pra Você, Ilza (2024)

    The Police - Next To You



    I sold my houseI sold my motor, tooAll I want is to be next to youI'd rob a bankMaybe steal a planeYou took me overThink I'm goin' insane

    terça-feira, julho 02, 2024

    40g

    NANDO MOTTA

    JOTA CAMELO
     

     
     
    DANIEL LAFAYETTE

     

    Marcadores: , , ,

    From Hacker to Hunted Figure, the Polarizing Legacy of Julian Assange

    Julian Assange, raising a fist, stands in the doorway of an airplane.

    "In his two-decade odyssey from Australian hacker to new-age media celebrity, hunted figure, perennial prisoner and finally, a free man, Julian Assange has always been easier to caricature than characterize.

    The lack of an agreed-upon label for Mr. Assange — is he a heroic crusader for truth or a reckless leaker who endangered lives? — makes any assessment of his legacy ambiguous at best.

    Whatever history’s judgment of Mr. Assange, his appearance Wednesday in a courtroom on a remote Pacific island, where he pleaded guilty to a single count of violating the U.S. Espionage Act, was an appropriate coda to a story that has always seemed stranger than fiction.

    From the time he established WikiLeaks in 2006, Mr. Assange, 52, was a polarizing figure, using the internet to solicit and publish government secrets. His disclosures, from confidential diplomatic cables to civilian deaths in the American wars in Afghanistan and Iraq, made him courageous to those who believed in his gospel of radical transparency. To others who feared the information he revealed could get people killed, he was destructive, even if there was never proof that lives were lost."

     READ ARTICLE BY  

    Mark Landler and

    o Bozo morreu




    MARCOS VENICIUS

     

    Marcadores: ,

    segunda-feira, julho 01, 2024

    Sao Pedro


     

    Osgemeos Rocked Brazil. Can the Graffiti Twins Take New York?

     

    Their street murals, monumental sculptures, intricate drawings and vivid paintings pop up at Lehmann Maupin gallery on the eve of their Hirshhorn debut.


  • Two men stand in front of a wall with versions of themselves painted on it.

     "An old class photo hangs nearby, the brothers and the other 28 students all dressed in their blue and white school uniforms.

    In it, they look to be about five years old, the same age they were when they started telling their parents about Tritrez, a place they describe in a similar way to heaven: they feel they lived there before they were born and say they will return to it one day when they die. “We’ve always had this strong spiritual connection with Tritrez and with each other,” Otávio said. It is, in a sense, their origin story — it explains where they came from, making a tumultuous entrance as premature babies — a magical world they wanted to replicate and share with others.

    “It’s not a religion, but it’s something that has this strong link to our beginning as well as to our destiny,” Gustavo said. “It’s one life divided between two people.”

    At the Hirshhorn, the pair are creating a gallery dedicated solely to Tritrez. In it will be everything from their first childhood iterations of the dreamlike world, to “The Tritrez Altar,” a rainbow-colored structure housing sculptures of their trademark characters that will be shown outside Brazil for the first time.

    “The more you see of their work, the more you realize they are actually translating their inner world to the outer world,” said Melissa Chiu, the museum’s director. “It’s this impulse that they have to share. I think that’s what really makes them, in some ways, that rare kind of artist for whom categories are irrelevant.”"

    READ REPORT

    Liberté, Egalité, Fraternité - só que nao!



    AROEIRA

     

    Marcadores: ,

    Caetano Veloso: O Estrangeiro 1989



    O pintor Paul Gauguin amou a luz na Baía de GuanabaraO compositor Cole Porter adorou as luzes na noite delaA Baía de GuanabaraO antropólogo Claude Levy-Strauss detestou a Baía de GuanabaraPareceu-lhe uma boca banguela

    São Pedro


     

    Não pensar em nada


    ALVES

     

    Marcadores: ,

    Canto de Aves do Brasil



    MARIO BAGG

     

    Maysa → Fantasia de Trombones: Demais / Meu Mundo Caiu / Preciso Aprender a Ser Só (Antônio Carlos Jobim-Aloysio de Oliveira-Maysa-Marcos Valle-Paulo Sergio Valle)



    Todos  acham que eu falo demais
    E que eu ando bebendo demais
    Que essa vida agitada não serve pra nada
    Andar por aí, bar em bar, bar em bar

    domingo, junho 30, 2024

    Bruce Springsteen - If I Was The Priest



    There's a light on yonder mountainAnd it's callin' me to shineThere's a girl over by the water fountainAnd she's askin' to be mine
     And Jesus is standing in the doorwayIn a buckskin jacket, boots and spurs so fineSays, "We need you, son, tonight up in Dodge City'Cause there's just too many outlawsTryin' to work the same line"


    e o blog0news continua…
    visite a lista de arquivos na coluna da esquerda
    para passear pelos posts passados


    Mas uso mesmo é o

    ESTATÍSTICAS SITEMETER