John Hammond - Walking Blues (Robert Johnson) IN MEMORIAM
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Fragmentos de textos e imagens catadas nesta tela, capturadas desta web, varridas de jornais, revistas, livros, sons, filtradas pelos olhos e ouvidos e escorrendo pelos dedos para serem derramadas sobre as teclas... e viverem eterna e instanta neamente num logradouro digital. Desagua douro de pensa mentos.
"This is the Republican Party heading into the midterms. A president who
doesn’t care if Americans die. A fired Cabinet secretary being shuffled
into a made-up diplomatic title. A Congress that just voted to give one
man the unilateral power to wage war. A sitting congressman whose
subordinate set herself on fire. And pardoned insurrectionists molesting
children. This is not a party in power. This is a party in moral
collapse. And voters are watching."
read stack by Heather Delaney Reese
Se a dor do amor deixasse o corpo da gente marcado Ahhh eu tinha o corpo inteiro tatuado
Un carro pasa muy despacito por la avenida
No tiene marcas, pero to' saben que es policia, hum
Pedro Navaja, las manos siempre dentro 'el gabán
Mira y sonríe, y el diente de oro vuelve a brillar
Women in EU member states with near-total abortion bans, such as Poland, will be given help to access legal and safe abortions elsewhere, it was announced on Thursday. This is being hailed as a “victory for women” and was the result of the My Voice, My Choice citizens’ initiative. Nice to see democracy working properly for a change!
A number of Republican state lawmakers, including representative Monty Fritts, who is also running for governor, recently introduced an amendment to the criminal code which would classify abortion as “homicide of an unborn child”, punishable by life imprisonment or death by lethal injection. It looks like this bill will stall indefinitely, but the fact that it was even introduced shows just how far right the Overton window has shifted.
Almost 60 Palestinian journalists detained in Israeli prisons have been beaten, starved and subjected to sexual violence, including rape, a report by the Committee to Protect Journalists (CPJ) alleges. Another CPJ report, released on Wednesday, found Israel is responsible for two-thirds of a record 129 press killings in 2025 and to blame for 81% of “intentionally targeted” journalist killings.
“At least 425 Palestinians have been killed and over 1,200 wounded over the past three months of the ‘ceasefire’ – a rate of nearly five Palestinians killed every day,” Drop Site News reports. The fact the media persists in causing the horror show in Gaza a “ceasefire” shows how little Palestinian lives matter. Do you think it would be called a ceasefire if nearly five Israelis were being killed daily?
The former US Secretary of State received rapturous applause at a pro-Israel conference on Tuesday after saying that “we need to make sure that the story [of October 7] is told properly so that when the history books write this, they don’t write about the victims of Gaza, right?” The good news for Pompeo is that journalism is supposed to be the first draft of history, and there is precious little journalism coming out of Gaza – by design. The international press still isn’t freely allowed to report from Gaza, where babies are continuing to freeze to death.
"while DEI may be dead, WTF hiring is very much alive. Being Wealthy, Trumpy, and/or Fox News-famous seem to be the only qualifications you need for success in Trump’s USA. See, for example, the entire Trump administration: a horrifying hodgepodge of unqualified sycophants. See also, hot off the press, Melania Trump’s new gig at the United Nations. It’s been announced that the first lady will lead a session of the United Nations security council on Monday titled Children, Technology, and Education in Conflict.
It can’t be stressed enough that this is highly unusual. As the White House noted in a statement: “Mrs Trump’s leadership will mark the first time a sitting US first lady presides over the security council.” Back in precedented times, you see, you generally needed a qualification or two to lead the security council. Now, however, we’re squarely in the WTF economy: Melania is a Trump, ergo automatically qualified to do anything her little heart desires."
read column by ARWA MAHDAWI


A badly weakened Iran will no longer intimidate or threaten its neighbors in the same way. The regional impact could be comparable to the collapse of the Soviet Union.
"Trump’s foreign policy is not guided by a coherent theory of order, deterrence or alliance management. It is driven instead by the demonstration of dominance, the creation of spectacle and the command of the news cycle. Military force, in this framework, is not a tool subordinated to strategy. It is the strategy."
read analysis by Christopher Chivvis
"Now, as in the past, the predictable result of today’s renewed, expanded and apparently open-ended US-Israeli aggression against Iran will be instant, spreading chaos. Civilians will be killed, children orphaned, families torn apart. Regional turmoil and international oil-price panic will follow the Iranian retaliation that has already begun, and which may be backed by Tehran’s Hezbollah and Houthi allies. New hatreds will be seeded, terrorist vendettas sown. The west’s foes will rejoice. And almost nothing of enduring value will be achieved. That was the bitter outcome of the failed US-led interventions in Afghanistan and Iraq. Today, it’s Tehran’s turn to reap the whirlwind."
READ COLUMN BY SIMON TISDALL
Here come old flat-top, he come groovin' up slowly
He got ju-ju eyeball, he one holy roller
And I'm watching you walk
Across that fine lineI died a hundred timesI reckon you couldLet it bleed'Cause I'm resigned

"When you’ve witnessed the horror of war, you believe it should be a last resort — not an abyss we tumble into without legal basis or clear objectives, pushing us all unnecessarily into a riskier world in which the only certainty is bloodshed."
read column by NICHOLAS KRISTOF
Usted abusóSacó provecho de mí, abusóSacó partido de mí, abusóDe mi cariño usted abusó
"And now we have to ask the question no one wants to ask: how much of our own government is compromised? How many men sitting in power aren’t there to serve the public, but to protect secrets? How many of the decisions being made right now are not about what helps the American people, but about what keeps those secrets buried? Because once you look at this moment through that lens, things start making a very different kind of sense. A terrifying kind of sense"
READ STACK BY HEATHER DELANEY REESE
Pero mi corazón nunca ha sido míoYo siempre lo doyCoge un trozo de míQuédatelo pa' cuando no estéSeré tu reliquiaSoy tu reliquia
In the clearing stands a boxer
And a fighter by his tradeAnd he carries the remindersOf every glove that laid him downOr cut him till he cried outIn his anger and his shame"I am leaving, I am leaving"But the fighter still remains

"The fact that Wiseman’s half-century-long project is a series of cinéma-vérité documentaries about American institutions, their titles often reading like generic brand labels — “High School,” “Hospital,” “The Store,” “Public Housing,” “State Legislature” — makes its achievement all the more remarkable but also easier to overlook. Beginning with “Titicut Follies” (1967), a portrait of a Massachusetts asylum for the criminally insane that remains shocking to this day, Wiseman has directed nearly a picture a year, spending weeks, sometimes months, embedded in a strictly demarcated space — a welfare office in Lower Manhattan, a sleepy fishing village in Maine, the Yerkes Primate Research Center at Emory University, the flagship Neiman Marcus department store in Dallas, the New York Public Library, a shelter for victims of domestic violence in Tampa, Fla., a Miami zoo — then editing the upward of a hundred hours of footage he brings home into an idiosyncratic record of what he witnessed. Taken as a whole, the films present an unrivaled survey of how systems operate in our country, with care paid to every line of the organizational chart.
They
also represent the work of an artist of extraordinary vision. The films
are long, strange and uncompromising. They can be darkly comic,
uncomfortably voyeuristic, as surreal as any David Lynch dream sequence.
There are no voice-overs, explanatory intertitles or interviews with
talking heads, and depending on the sequence and our own sensibility, we
may picture the ever-silent Wiseman as a deeply empathetic listener or
an icy Martian anthropologist."
read essay by MARK BINELLI


"Associações, empresários e frentes parlamentares definiram um plano para tentar frear o fim da jornada de trabalho 6x1 —seis dias de trabalho e um de descanso— com três tipos de abordagem. Eles planejam atuar para que a votação fique para depois da eleição, preparar estudos e campanhas para mostrar os pontos negativos da mudança e apresentar propostas alternativas, como a desoneração da folha de salários ou autorizar o pagamento por hora trabalhada."
leia reportagem de
Raphael Di Cunto
Fernanda Brigatti

"The Trump administration and its Department of Homeland Security have made frame perversion a signature feature of their social media presence. On Valentine’s Day 2025, the White House posted images of Trump and his border czar, Tom Homan, set against a pink backdrop and paired with a sing-song rhyme: “Roses are red / Violets are blue / Come here illegally / And we’ll deport you.” As Christmas approached later that year, the official ICEgov Instagram account shared an AI-generated image of an “ICE AIR” flight full of deportees pulled through the sky by Santa’s reindeer, captioned: “Avoid ICE AIR and go Ho Ho Home…” In each case, cheerful, familiar holiday imagery provides the setup; state violence supplies the punchline.
The frame perversion pattern reached its
most chilling form in another White House post labeled “ASMR: Illegal
Alien Deportation Flight.” ASMR—short for “Autonomous Sensory Meridian
Response”—usually refers to videos designed to produce calm or pleasure
through soft, repetitive sounds. Here, that “soothing” frame was
supplied by the hum of jet engines, the metallic rattle of chains pulled
from a crate, the click of handcuffs, the quiet clink of leg shackles
with each step up the gangway. These sounds are meant to relax the
viewer, even as they mark the forcible end of someone’s life as they
know it. Frame perversion, in this case, does not merely normalize
cruelty. It invites the audience to relax pleasurably within it."
read analysis by

"By the time Klaus Barbie went on the payroll of an American intelligence organization in 1947, he had lived several lifetimes of human vileness. Barbie sought out opponents of the Nazis in Holland, chasing them down with dogs. He had worked for the Nazi mobile death squads on the Eastern Front, massacring Slavs and Jews. He’d put in two years heading the Gestapo in Lyons, France, torturing to death Jews and French Resistance fighters (among them the head of the Resistance, Jean Moulin). After the liberation of France, Barbie participated in the final Nazi killing frenzy before the Allies moved into Germany.
Yet the career of this heinous war criminal scarcely skipped a beat before he found himself securing entry on the US payroll in postwar Germany. The Barbie was shipped out of Europe by his new paymasters along the “ratline’ to Bolivia. There, he began a new life remarkably similar to his old one: working for the secret police, doing the bidding of drug lords and engaging in arms trafficking across South America. Soon, his old skills as a torturer became in high demand."
read more by Jeffrey St. Clair
Meu pai me disse algo quando eu era muito pequeno para me prover de confiança. "Ninguém no mundo vale mais do que você, mas também ninguém vale menos". É uma visão egualitária que tenho carregado pela vida. É por isso que sou a favor do ensino gratuito., de universidades gratuitas, de saúde gratuito e de creches gratuitas. Porque a nossa sociedade pode bancar isso. Nos Estados Unidos, as pessoas acham que democracia social é algum tipo de comunismo. Pensam que capitalismo é liberdade. Não é. É apenas a liberdade de explorar as pessoas. "
Stellan Skarsgård, ATOR
Era una ciudad de plástico
De esas que no quiero ver
De edificios cancerosos y un corazón de oropel
Donde en vez de un Sol amanece un dólar
Donde nadie ríe, donde nadie llora
Con gente de rostros de poliéster
Que escuchan sin oír y miran sin ver
Gente que vendió por comodidad
Su razón de ser y su libertad
IN MEMORIA WILLIE COLON
I'm a high school lover
And you're my favorite flavour
"Dubbed “AI Scott Adams,” the synthetic creation, which first popped up on X and YouTube, looks and sounds nearly identical to the actual Adams. Its appearance has sparked a clash between the Silicon Valley wing of MAGA, which finds it all pretty remarkable, and many of Adams’s fans and family, who are horrified."
read more>
Dilbert Creator’s AI Resurrection Not So Comic for His Family
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