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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    quinta-feira, setembro 05, 2024

    SYD’S MADCAP FLOORBOARDS SOLD . BUT HOW?

     

     


    IAN HARRISON

    TAKEN IN Wetherby Mansions in Earl’s Court,
    the cover image of his 1970 solo debut
    The Madcap Laughs contained intriguing clues.
    Did the vase of wilting blooms signify his own
    impending drift into endless silence, and the desth 

    of the flower power hippie dream?

    Barrett, poised like a frozen sprinter, wasn’t
    telling, and seemed somehow stuck to
    floorboards painted in alternating shades of
    of orange and purple.


    Part of the striking graphic appeal of the
    sleeve – taken by Mick Rock in 1969 – were
    these floorboards, which have occupied their
    own place in the Barrett mythos ever since.
    Now, 55 ywars on, the flooboards have been
    found and sold by Newton-le-Willows-based
    music specialists Omega Auctions.
    Omega Auctions director and co-founder
    Paul Fairweather recalls being contacted by
    th new owners of Barrett's old flat
    years ago. “They were having renovations
    done and pulled up the carpets, and discovered
    the floorboards pretty much s they
    were when Syd originally painted them,”
    says Fairweather. “When they realised what
    they had, they contacted us.”


    He says there are 70 sturdy, hand-painted
    oak boards in total, some of them three metres
    in length. “I handled a good 50 per cent of the
    boards as we uploaded the van, he says of the.
    the boards’ transfer to their premises. “You
    can see there’s been a life lived on them –
    there’s stuff stuck to them, holes where the
    nails have been, cigarette burns, plenty of
    footprints and plenty of dust. Somebody
    painted the ceiling at some point, so there are
    specks of paint all over them… if you looked
    closely, you could probably piece together the
    specific boards matching where
    he was actually sat.”


    With a list price of five
    to 10 thousand pounds, the
    auction director admits there
    were enquiries from certain
    interested parties. By the time
    you read this, the floorboards
    will have been sold, on July 2:
    Fairweather imagines the
    buyer will either keep the
    boards together and possibly
    recreated the floor or sell them
    off in smaller increments.


    He adds that Omega are
    planning further sales, includ-
    ing an October auction of items
    from Peter Hook’s collection
    of Haçienda memorabilia: the
    famous club’s original doors,
    stained glass and posters will be
    included. They’ve previously handled Danny
    Baker’s record collection, the Mark E Smith
    archives, parts of the BBC’s record collection
    and handwritten David Bowie lyrics. A Beatles
    fan, Fairweather admits that Fabs-related
    lots have their own frisson. In March this year
    they sold three 1966 cassettes of audio diaries
    made by Ringo for £10,000. “We listened to
    those tapes as we were cataloguing them,” he
    says. “It was incredible, because other than
    ourselves and Ringo, there’s not many people
    that will have actually heard them. The weird-
    est thing we sold was probably John Lennon’s
    tooth in 2011, which came
    from his housekeeper and it
    did 20 grand.


    “It’s why I’m always check-
    ing e-mails to see what comes
    through,” adds Fairweather,
    who says his own taste in music
    runs through classic ’60s pop,
    post-punk, Madchester and
    indie, and admits he does covet
    the Haçienda doors. “With
    something like the floorbaords
    there’s such a thrill because they
    are such a fantastic bit of his-
    tory. I used to be a collector, but
    the hrill for me now is finding
    these things and selling them
    on behalf of our vendors. That’s
    where I get my kicks.”

    MOJO

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