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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    quarta-feira, outubro 23, 2019

    'We're an open wound': São Paulo's underground music scene |





    "That Mamba Negra and the Bolsonaro presidency were both born out of the smoke and anger of the 2013 protests demonstrates the division at the heart of Brazil. Out of that moment, each saw an opportunity: one side detected the potential for a Brazil that celebrates the country’s diversity, and the other side saw the opportunity to use the chaos to drag the country back to its colonial divisions. That they still haven’t escaped that colonial legacy is an issue that haunts these artists and their peers. But, equally, what keeps them from succumbing to the inevitability of that outcome is also written into Brazil’s history: their faith in the unbreakable bonds of autonomous communities. No leader, no government and no dictatorship has ever been able to fully suppress a culture that grows irrepressibly between the cracks."

    newstory by Philip Bloomfield

    'We're an open wound': São Paulo's underground music scene | Music | The Guardian

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