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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    Fragmentos de textos e imagens catadas nesta tela, capturadas desta web, varridas de jornais, revistas, livros, sons, filtradas pelos olhos e ouvidos e escorrendo pelos dedos para serem derramadas sobre as teclas... e viverem eterna e instanta neamente num logradouro digital. Desagua douro de pensa mentos.


    quarta-feira, outubro 23, 2019

    The Watchmen pilot is as violent, thought-provoking, and humorous as the graphic novel






     "The scene most folks will walk away talking about is the reverse role-play in the traffic stop. A white male, pulled over by a Black cop, immediately places both hands on the steering wheel. Before reaching into his glove compartment, he informs the officer of his movements. After seeing a mask that isn’t illegal to own, the officer radios dispatch for access to his firearm. It’s the sort of dream many Black Americans would love to see come through. There’s a comfort in Panda’s (Jacob Ming-Trent) insistence on going through each checkmark to make sure the situation calls for a gun. On the same road where a newly orphaned boy and a baby wrapped in the American flag escaped a bombing, here comes a presumed racist blasting hip-hop. The pervasiveness of Black art in this episode is a powerful thing to witness."

    review by Joelle Monique

    The Watchmen pilot is as violent, thought-provoking, and humorous as the graphic novel

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