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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    sexta-feira, agosto 08, 2025

    Millet: Life on the Land – phallic forks and suggestive wheelbarrows enliven a landscape of toil |

     


     ""I think there’s a reason Millet makes The Angelus not so much a religious as an erotic landscape. It was the climax of his love affair with the French peasantry. Millet made it his life’s work to portray the rural poor – a class that had been denied full humanity. He depicts lives of backbreaking toil but wants you to see that, behind the hoe, is a human being with a mind, a body, desires.""

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    Millet: Life on the Land review – phallic forks and suggestive wheelbarrows enliven a landscape of toil | Art and design | The Guardian

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