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sábado, junho 20, 2020
Rediscovering One of the Wittiest Books Ever Written
"Wit leaps centuries and hemispheres. It does not collect dust, and, when done right, it does not age. “The Posthumous Memoirs of Brás Cubas,”
by Joaquim Maria Machado de Assis, is a case in point. Long forgotten
by most, it’s one of the wittiest, most playful, and therefore most
alive and ageless books ever written. It is a love story—many love
stories, really—and it’s a comedy of class and manners and ego, and it’s
a reflection on a nation and a time, and an unflinching look at
mortality, and all the while it’s an intimate and ecstatic exploration
of storytelling itself. It is a glittering masterwork and an unmitigated
joy to read, but, for no good reason at all, almost no English speakers
in the twenty-first century have read it (and I first read it only
recently, in 2019).
But it
survives, and must be read, for the music of its prose and, more than
anything else, for its formal playfulness. A new translation, by Flora
Thomson-DeVeaux, is a glorious gift to the world, because it sparkles,
because it sings, because it’s very funny and manages to capture
Machado’s inimitable tone, at once mordant and wistful, self-lacerating
and romantic. Its narrator, Brás Cubas, is dead. He tells the story of
his life from the grave, and maybe because he has nothing left to
lose—being dead and all—he tells the story precisely as he wants to,
convention be damned. The novel unfolds in brief, bright chapters,
brightened further with endless self-referentiality and self-doubt. “I
am beginning to regret that I ever took to writing this book,” Brás
Cubas writes in a chapter called “The Flaw in the Book.” “Not that it
tires me,” he continues. “I have nothing else to do, and dispatching a
few meager chapters into the other world is invariably a bit of a
distraction from eternit"