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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    domingo, agosto 19, 2018

    Aretha Franklin dead: The story of “Respect,” the greatest cover of all time.




    "It’s not much of a stretch to suggest that Aretha’s flip of Redding’s more conventional, male-dominant song of domestic conflict and desire into a hymn of sexual and political liberation paralleled the creative subversion in those sermons. Her most distinctive rewrite, the addition of the “R-E-S-P-E-C-T/ Find out what it means to me” bridge—which it’s still shocking to recall was completely absent from the original—has a touch of a preacher’s pedagogy, the moment when the celebrant might focus in on a scriptural passage and muse, “Think of this word, ‘respect.’ What does the Lord mean when he uses it? What does it mean, for example, within your own home?” But to keep proceedings from getting too heady, she immediately cuts in with language from the street: “Take care, TCB” (meaning “take care of business”) and “sock it to me, sock it to me, sock it to me, sock it to me” (meaning … well, that’s up to you). "

    read article by @Carl Wilson 

    Aretha Franklin dead: The story of “Respect,” the greatest cover of all time.: The Queen of Soul turned Otis Redding’s “Respect” on its head and created the quintessential empowerment anthem.

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