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  • O BRASIL EH O QUE ME ENVENENA MAS EH O QUE ME CURA (LUIZ ANTONIO SIMAS)

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    quarta-feira, maio 10, 2017

    The Pink Floyd Exhibition: Their Mortal Remains review – look, a flying pig!





    "Their masterstroke came with The Dark Side of the Moon’s release the following year. Early 70s rock was filled with striking images, from Bowie’s lightning flash makeup to Led Zeppelin’s mystical Zoso symbols, but few had quite the same lasting impact as the refracting prism design that Pink Floyd’s longstanding visual team Hipgnosis came up with for that album’s cover. An entire room of the exhibition is devoted to it, and rightly so. In cynical modern parlance, it was a brilliantly simple piece of corporate branding; 44 years on, it remains the image that first springs to most people’s minds when the name Pink Floyd is mentioned – although Hipgnosis’s designs for their subsequent albums were scarcely less iconic: the photograph of two businessmen shaking hands, one in flames, for 1975’s Wish You Were Here; the shot of a giant inflatable pig floating above Battersea power station for 1977’s Animals, a giant neon replica of which fills another of the exhibition’s rooms. "

     

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    The Pink Floyd Exhibition: Their Mortal Remains review – look, a flying pig! | Music | The Guardian


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