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    sexta-feira, março 28, 2014

    The Madness of Matthew Weiner


     


    Whatever happens to Draper will take place against the backdrop of an era Weiner clearly sees as disappointing, in which hopes are deflated, various hypocrisies are laid bare, and cynicism eventually reasserts itself. “The chickens are coming home to roost,” he says. “The revolution happens, and is defeated,” in 1968. “There is cultural change, but the tanks roll into Prague, the students go back to school.” All of that leads to the era Weiner witnessed as the child of a liberal father in the 1980s, by which time the activists of the ’60s had flipped and become the “greediest—can I say motherfuckers in The Atlantic?” When he talks about individual characters, Weiner is a gentle creator, reserving judgment about their sins. But when he talks about society at large, he is a god of vengeance, and doesn’t hesitate to condemn. “I was 18 years old, watching the world being run by a bunch of hypocrites, is what it was. And at the same time, they were telling us how they had invented sex, how great it was to do all those drugs, they had no responsibilities, they really believed in stuff, they were super-individuals. Then along comes this incredibly repressive, selfish, racist, money-grubbing …”

    read article by HANNA ROSIN  :

    The Madness of Matthew Weiner - Hanna Rosin - The Atlantic

    illustration: JOHN CUNEO 

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