Argo fuck yourself: whu Argo shouldn't be Best Picture

 Instead of keeping its eye on the big picture of revolutionary Iran, the film settles into a retrograde “white Americans in peril” storyline. It recasts those oppressed Iranians as a raging, zombie-like horde, the same dark-faced demons from countless other movies— still a surefire dramatic device for instilling fear in an American audience. After the opening makes a big fuss about how Iranians were victimized for decades, the film marginalizes them from their own story, shunting them into the role of villains. Yet this irony is overshadowed by a larger one: The heroes of the film, the CIA, helped create this mess in the first place. And their triumph is executed through one more ruse at the expense of the ever-dupable Iranians to cap off three decades of deception and manipulation.

read article by  Kevin B. Lee