2011 may well be remembered as the most numbing year for mainstream rock music in history.
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major-label
rock these days, a musical universe in crisis like no other, full of
old bands spinning their wheels, praying for one more summer out under
big-tour sheds, and their young reinforcements, not much more than a
field of dullards who are the artistic equivalent of grocery store
generic brands.
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At
this point rock is becoming a graveyard of aesthetic innovation and
creativity, a lie perpetrated by major labels, radio conglomerates and
touring concerns, all of whom need — or feel they need — the continued
sustenance of this style of music. The fringes remain interesting, and
regenerate constantly, but the center has been left to rot.
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It’s a living funeral, and it’s got to come tumbling down sometime.
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